2024 People’s Choice Country Awards: All The Performances, Ranked
The 2024 Family’s Selection Nation Awards, which aired Thursday evening (Sept. 26) on NBC and Peacock, as soon as once more venerated lots of nation song’s peak skills. Shania Twain hosted the two-hour display, which was once held at Nashville’s Elegant Ole Opry Area.
Now in its 2nd 12 months, the fan-voted Family’s Selection Nation Awards noticed Morgan Wallen taking house the peak honor of The Family’s Artist (along side wins in 3 alternative sections), pace alternative winners incorporated Shaboozey taking house unutilized artist of 2024, Luke Combs successful male artist of 2024 and the brochure of 2024 (Fathers & Sons), Lainey Wilson successful feminine artist of 2024, Dasha taking house feminine track of the 12 months, and the Submit Malone/Wallen collaboration “I Had Some Help” being named the track of 2024. Cody Johnson’s “Dirt Cheap” took house the prize in one of the crucial night’s extra distinctive sections, the storyteller track.
Alternative peak moments incorporated Miranda Lambert being venerated as the rustic icon for her many years of exemplary, heartfelt song, and her multi-faceted profession as a singer, songwriter, entertainer, creator, and trade chief. Lambert simply excepted her fresh brochure, Postcards from Texas, which debuted within the peak 10 on Billboard’s peak nation albums chart.
Kane Brown was once celebrated as nation champion, for his paintings in supporting youthful generations. Brown has been an established supporter for The Boys & Women Membership, and previous this 12 months, he donated a unutilized song studio length to a Texas location of the Boys & Women Membership of The united states. He was once venerated with the group’s champion of youngster award in 2022.
As with maximum awards presentations, one of the crucial maximum mentioned moments got here from the slate of performances. Every artist grew to become in a top-notch efficiency, despite the fact that inevitably, some shone brighter than others.
Under, we rank all of the performances from the night:
-
Brad Paisley
Brad Paisley debuted a unutilized track pace concurrently nodding again to one in all his personal generation hits. He debuted “Truck Still Works,” which contains Paisley’s 2004 accident “Mud on the Tires.” Paisley introduced his efficiency with a snippet of “Mud on the Tires,” accompanying himself on acoustic guitar, earlier than his band joined in with full-fledged guitar, drums and mess around. “Truck Still Works” reminisces on the ones younger-year treks on muddy paths beneath the moonlight and urges a lover to peer if they are able to “find that place we used to know about,” including “with any luck, we might get stuck again.” Paisley’s tonality was once in fantastic method, as was once his guitar enjoying, pace lyrically and sonically it felt like a throwback to his earlier radio accident–a property that can or might not be interesting to a couple lovers who’ve lengthy waited for unutilized song from Paisley.
-
mgk
MGK (Gadget Gun Kelly) has made inroads into nation just lately, however stepped out in a bulky approach Thursday evening when he closed out the display with a efficiency of “Lonely Road,” sans his collaboration spouse Jelly Roll. Taking a look each and every bit the rock megastar, mgk sailed during the track (which has a rustic tilt, interpolating John Denver’s “Take Me Home, Country Roads”) with pleasure. Nonetheless, a real onstage duet with Jelly Roll would have despatched this efficiency over the peak, as each are intense performers, and their friendship and admire for each and every alternative as artists interprets onstage.
“Lonely Road” was once additionally named the crossover track of 2024 right through the display, pace mgk additionally took house the secure track of 2024, together with his rendition of Zach Bryan’s “Sun to Me.” Jelly Roll and mgk, who’re each and every recognized for his or her skill to shift seamlessly via genres, prior to now carried out the track in combination right through CMA Fest this 12 months in Nashville, at Spotify Area.
-
Kane Brown
Over the generation decade, Brown has accrued 11 Billboard Nation Airplay chart-toppers and performed to large crowds on sold-out headlining excursions (together with becoming the primary artist to play games all 29 NBA arenas), all pace giving again to others.
Thus he was once venerated with this 12 months’s nation champion trophy. He additionally introduced a high-energy efficiency to obvious this 12 months’s PCCAs. Clad in a dark fringe jacket and shades, Brown celebrated his musical move and myriad of influences with a efficiency of the hard-charging “Fiddle in the Band.”
“I took a trip to Music City/ brought a little bit of everything with me,” he sang in his distinctly heat, conversational vocal, strolling around the level with a fab saunter as his band presented careening rock guitars and naturally, enough quantity of hot mess around.
-
Parker McCollum
Clad in denims, a go well with jacket and a cowboy hat, Texas local McCollum presented up his unutilized track “What Kinda Man.” Staying related to the centerstage microphone and wielding his guitar, he let reduce together with his signature drawl, bringing enough quantity of honkytonk twang to his efficiency.
-
Kelsea Ballerini
The level was once full of sunflowers right through Ballerini’s efficiency of her unutilized track “Two Things,” from her next October let go Patterns. She paced the level, laying out the highs and lows of a courting, lacing the lyrics with pictures of sunflowers and Hemingway poems, habitual blue denims, and airplane rides that manage to reconciliatory lovefests.
“I’ll be your best and your worst day,” she sang, as she gleams on those meshings of silky pop melodies and heart-on-her-sleeve lyricism.
-
Miranda Lambert
Texas local Miranda Lambert was once venerated as this 12 months’s nation icon recipient, and right through the display, she presented to the target market a potent reminder of why she’s develop into a trailblazing artist, fearless songwriter and commanding performer. She led along with her fiery 2005 track “Kerosene,” earlier than proving that her self-determined techniques are as sturdy as ever, at the defiant “Dammit Randy” from her unutilized brochure Postcards From Texas.
-
Girl A
Trio Girl A presented a rendition of “Stop Draggin’ My Heart Around,” hanging their pitch-perfect harmonies within the highlight. The trio’s Charles Kelley and Hillary Scott captured the fervour, angst and emotional tug-of-war on this rock vintage, additional increased through bandmate Dave Haywood’s secure harmonies and musicianship. They recorded the track as a part of the hot Tom Petty tribute brochure Petty Nation: A Nation Track Birthday celebration of Tom Petty.
-
The Conflict and Treaty
Married duo The Conflict and Treaty have graced the phases of various awards ceremonies and alternative high-profile occasions, often incomes status ovations and changing into referred to as reliably splendid performers, melding components of nation, people, soul and gospel. The PCCAs have been incorrect exception. Michael Trotter Jr. walked up an aisle of the Elegant Ole Opry Area, taking the level to fulfill a backing choir for the sultry, romantic and gospel music-soaked tribute “Can I Get an Amen” He was once upcoming joined through his musical spouse and spouse Tanya Trotter, and in combination they presented simply one of the crucial night’s maximum robust vocal performances. They tossed the melodies backward and forward with uncanny pleasure, earlier than intertwining their nimble, octave-jumping voices to assemble a paragon of peerless vocal energy.
-
Keith City
Seated lonely with simply his guitar and cushy backlighting, Keith City as soon as once more conveyed his stellar musicianship at the slow-burn, sultry, longing-filled “Messed Up as Me.” Are living performances are one in all City’s musical strengths, as he’s at all times been in a position to join with a people, whether or not using a complete band or enjoying solo. All through the display, he showcased simply why he wishes modest greater than his trusty musical awl and nimble, gritty vocal to show in a passionate rendering of a track.