The 100 Greatest Songs About the Music Industry: Staff List
Billboard’s workforce takes a glance about the finest songs at the one topic that each and every unmarried recording artist is aware of a modest one thing about.
From left: Kacey Musgraves, George Michael, Mark Knopfler of Dire Straits, Red Floyd’s “Wish You Were Here” novel secure and P!nk.
Matthew Billington
Is it as common a music topic as love, as undying as dancing or partying, as relatable as misfortune or distress or enrage? Now not fairly — however for the unedited recording artists at the back of the songs, it’s the only subject that they’re fairly a lot assured to have a surfeit of revel in in, the person who they may be able to be relied on as an expert directly to no less than a point: the song {industry} itself.
For so long as the song {industry} has existed, artists were writing, recording and appearing songs concerning the act that birthed them. A few of them are explicitly biographical, a few of them written extra in summary. A few of them deal direct observation, a few of them simply provide the information (because the artist sees them) and shall we the listener come to their very own conclusions. A few of them are extremely important and frustrated concerning the order of items, a few of them… properly, we wouldn’t say we will be able to call a ton of songs which can be all about how swell issues recently are within the song biz — no less than that aren’t being bitterly sarcastic about it — however there are some which can be much less explicitly fire-and-brimstone, anyway.
And as a workforce of writers and editors who spend our lives protecting the entire happenings of the song {industry}, we need to admit that those songs store a relatively particular park in our hearts (specifically those that point out Billboard by way of call, natch). We would possibly now not percentage the precise studies of the artists themselves — on occasion we can even come from the precise alternative aspect in their revel in — however we’ve viewable plethora of the act to no less than know and perceive what they’re speaking about, and regularly so that you can handover a sympathetic ear to their plight. And if the music occurs to be a jam even except for its insider perception, even higher, after all.
Listed here are the Billboard workforce’s selections for the 100 largest songs ever written concerning the song {industry}, starting from vintage rock staples to ’90s hip-hop cautionary stories to pop club-slayers from this very 12 months. A few of them inform complete tales concerning the {industry}, a few of them most effective memorably look at in passing, some are informed entirely in allegory — however they all release you only a modest bit wiser and a modest extra working out about this factor of ours.
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M, “Pop Muzik” (1979)
Symbol Credit score: Courtesy Picture Kind: Condition of the Biz
What’s the Do business in? Robin Scott-fronted U.Ok. outfit M’s step forward crash captured the humming pleasure round pop song on the flip of the ’80s, as unutilized stream and synth-pop have been turning the rock established order the other way up. If portions of it got here off a little bit rueful, the band nonetheless knew of what it spoke: “Pop Muzik” crowned the Billboard Sizzling 100 in November 1979.
Maximum Telling Lyric: “New York, London, Paris, Munich/ Everybody talk about pop muzik” — ANDREW UNTERBERGER
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Elton John, “Bitter Fingers” (1975)
Kind: Foundation Tale
What’s the Do business in? Earlier than Elton John and his songwriting spouse Bernie Taupin wrote and discharged one of the most maximum definitive albums and songs of the Seventies, they labored at Self rule Information’ London place of job, churning out assembly-line tunes for alternative artists that by no means crash — days they recount not so nostalgically on this Captain Incredible and the Brown Grime Cowboy spotlight.
Maximum Telling Lyric: “So churn them out quick and fast/ And we’ll still pat your backs/ ‘Cause we need what we can get/ To launch another dozen acts” — FRANK DIGIACOMO
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Charles Kelley, “Leaving Nashville” (2016)
Kind: In the back of the Scenes
What’s The Do business in? In this song from Girl A member Kelley’s debut solo novel, he shatters the glamorous misconceptions about generation as a Nashville songwriter, bringing to luminous the career’s heady highs of crash songs, Disagree. 1 events and combing elbows with celebs, but in addition its crushing lows of gazing as act “friends” moderate away if the crash songs prohibit coming.
Maximum Telling Lyric: “One day you’re the king, the next, you’re not/ It’s handshakes and whiskey shots, boy, and throwing up in parking lots all by yourself” — JESSICA NICHOLSON
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Boston, “Rock and Roll Band” (1976)
Kind: Foundation Tale
What’s the Do business in? Co-writer and guitarist Tom Scholz admitted the tale in “Rock and Roll Band” — a poor bar band enjoying for the affection of song is all at once found out by way of a label government — is “pure fantasy,” since Boston had by no means even carried out are living when the music was once written. Nonetheless, the story of an aspirational rock band is a memorable one and helped flip Scholz’s searing guitar licks right into a sing-along rock anthem very best for ‘70s FM radio.
Maximum Telling Lyric: “We barely made enough to survive/ But when we got up on stage and got ready to play, people came alive.” — GLENN PEOPLES
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Lupe Fiasco, “Till I Get There” (2011)
Kind: The place’s the Unmarried?
What’s the Do business in? Lupe compares his A&Rs and managers to therapists and medical doctors making an attempt to diagnose him with an disease week in fact seeking to affect the path of his song and feature him sacrifice creative integrity for information boasting extra industrial attraction.
Maximum Telling Lyric: “Doctor, doctor please, the fame ain’t painless enough/ That’s cause you ain’t famous enough/ You got a little game but your name ain’t ringin’ enough.” — MICHAEL SAPONARA
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Bon Jovi, “Burning Bridges” (2015)
Kind: Signal Your Identify
What’s the Do business in? Next 32 years, Bon Jovi parted tactics with Mercury Information in 2015 — and there was once negative love misplaced on Jon Bon Jovi’s section on this biting, bitter kiss-off to the label that had made megamillions off the band’s again over 3 a long time.
Maximum Telling Lyric: “Here’s one last song you can sell/ Let’s call it ‘Burning Bridges’/ It’s a singalong as well/ Hope my money and my masters/ Buy a front row seat in hell” — MELINDA NEWMAN
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9 Inch Nails, “Happiness in Slavery” (1992)
Kind: F**ok This Trade
What’s the Do business in?: As NIN notes on its website online, 1992’s Damaged EP was once “recorded in secret to avoid interference from [record label TVT],” with whom frontman Trent Reznor were feuding. “That’s where a lot of the rage on Broken came from,” he informed Rolling Stone on the moment, clarifying that the nation who managed his profession “are f—king assholes.” That wrath – in addition to the depression of being caught within the machine — was once unhidden in each and every unmarried chopping commitment of EP climax “Happiness,” which peaked at Disagree. 13 on Billboard‘s Additional Airplay chart in 1992.
Maximum Telling Lyric: “I don’t know what I am I don’t know where I’ve been/ Human junk just words and so much skin/ Stick my hands through the cage of this endless routine/ Just some flesh caught in this big broken machine” — ANNA CHAN
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Rachel Stevens, “Some Girls” (2004)
Kind: In the back of the Scenes
What’s the Do business in? Co-written by way of U.Ok. super-producer Richard X and supremacy 40 scribe Hannah Robinson, the shining “Some Girls” tells the tale of a pop aspirant’s “dreams of No. 1,” who contorts herself to delight a big-talking {industry} insider, with worryingly non-transperant returns. (In actual generation, the music were given to Disagree. 2 at the Legitimate UK Singles Chart.)
Maximum Telling Lyric: “Hey! Stop!/ You made a promise to make me a star/ You made a promise I’d get to the top!” — A.U.
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Bacilos, “Mi Primer Millón” (2002)
Kind: In the back of the Scenes
What’s the Do business in? Spared in 2002, the up and coming Colombian trio’s cheekily titled “Mi Primer Millón” (My First Million), captured the aspirations and optimism of Latin acts within the wake of the Latin Explosion of 1999 and 2000. Bacilos’ lyrics have been autobiographical, however they may were speaking about any of the numerous acts who flocked to Miami from all over the world looking for repute and fortune. Life the name is self-explanatory, the music’s simple narrative, stuffed with wanna-be ambitions and name-dropping, captured the zeitgeist of a nascent Latin song {industry}.
Maximum Telling Lyric: “As soon as we get there we’ll call Emilio [Estefan]/ I have a friend, he’s friends with a friend, who has a direct line to the heaven of so many stars.” — LEILA COBO
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10cc, “The Worst Band in the World” (1975)
Kind: In the back of the Scenes
What’s the Do business in? Snobs most effective common with 10cc’s soft-rock hits would possibly in fact be tempted to lob this name at them, however the British outfit’s oeuvre is a long way more unusual and artier than their crash “Love” songs let on. “The Worst Band in the World” is a warped, prog-pop small odyssey that sends up an {industry} awful with self-entitled, vacuous rockers willingly interesting to the bottom traditional denominator.
Maximum Telling Lyric: “Up yours, up mine/ But up everybody’s, that takes time/ But we’re working on it.” — JOE LYNCH
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The Replacements, “Left of the Dial” (1985)
Symbol Credit score: Courtesy Picture Kind: Condition of the Biz
What’s the Do business in? The Replacements’ vintage college-rock anthem is an elliptical sequence of lyrical snapshots from the mid-’80s period the place underground bands needed to reconcile their punk attitudes with their industrial aspirations — with many, together with the ‘Mats, in the end concluding that they have been extra at house on radio frequencies supremacy 40 would by no means contact.
Maximum Telling Lyrics: “Weary voice that’s laughin’, on the radio once/ We sounded drunk, never made it on” — A.U.
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Arctic Monkeys, “Who the F–k Are Arctic Monkeys?” (2006)
Kind: Condition of the Biz
What’s the Do business in? When the Arctic Monkeys won a ton of mid-’00s media consideration because the saviors of rock song for his or her early singles and debut novel, top singer Alex Turner was once fast to order, “Don’t believe the hype.” With a little bit of sleazy guitar and Turner’s thick Sheffield speech right here, the band delivers a seething rebuke of a song {industry} they’ve already found out is most commonly the smoke and replicate of fancy advertising, in lieu than creative integrity.
Maximum Telling Lyric? “Not lining up to be Play-Doh/ Oh, in five years’ time will it be/ ‘Who the fuck’s Arctic Monkeys?’” — TAYLOR MIMS
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Ben Folds, “One Down” (2001)
Kind: Condition of the Biz
What’s the Do business in? As the tale is going, Folds was once on probation together with his song writer and obligated in order a particular collection of songs. “One Down” unearths the sharp tunesmith wanting precisely 4.6 songs, and desperate to temporarily meet his quota. Mockingly, week Folds clear a rote, unglamorous aspect of the songwriting act, he additionally penned an out of this world music right here.
Maximum Telling Lyric: “I don’t like wasting time on music that won’t make me proud/ But now I’ve found a reason to sit right down and s**t some out.” — GLENN PEOPLES
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Backyard Occupation, “We Make Hits” (2024)
Kind: Foundation Tale/The place’s the Unmarried?
What’s the Do business in? Backyard Occupation have their cake and consume it too on this goofy, groovy track — concurrently saying their brilliant industrial ambitions and poking a laugh at “two broke millennial men” for harboring them. “I’m gonna keep flinging shit until enough of it sticks,” James Smith sings. “Break down the walls/And if it’s not a hit, we were being ironic.” Best possible funny story of all: the downtempo disco trim is fairly catchy.
Maximum Telling Lyric: “We signed to a subsidiary of Universal, Inc., ‘Cause the water keeps on rising/ And we know there’s no surprising anyone with eyes and ears ’round here — that we’re all gonna sink.” — ELIAS LEIGHT
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Visitors, “Low Spark of High-Heeled Boys” (1971)
Kind: Signal Your Identify
What’s the Do business in? The slow-burning, Eleven-plus-minute FM rock staple most commonly trade in in abstraction — the name word was once a word left for publisher/drummer Jim Capaldi by way of actor Michael J Pollard, which Capaldi idea captured his “tremendous rebel attitude” — however {industry} predators undoubtedly appears to be one of the most issues it’s rebelling in opposition to, given lyrics about being “take[n] for a ride” and being “stripped of everything, including my pride.”
Maximum Telling Lyric: “The percentage you’re paying is too high priced/ While you’re living beyond all your means/ And the man in the suit has just bought a new car/ From the profit he’s made on your dreams” — A.U.
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Brandy, “Should I Go?” (2004)
Kind: In the back of the Scenes
What’s the Do business in? A Coldplay-sampling deep trim from Brandy’s Afrodisiac, “Should I Go?” sees Brandy at a virtually unnervingly prone park in her profession, undecided of the place she suits in a crowded, post-filesharing {industry} (“Premature release of these albums online/ Makin’ it hard for real entertainers to shine”) and taking into account testing from it altogether, sooner than deciding, “Move over, this is my time/ B-Rocka’s back on the grind.”
Maximum Telling Lyric: “I’m standing on the edge of the industry/ Wondering if it’s all that important to me” — A.U.
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Stealers Wheel, “Stuck in the Middle With You” (1973)
Kind: In the back of the Scenes
What’s the Do business in? Gerry Rafferty wrote Stealers Wheel’s greatest crash about an unbearable {industry} cocktail celebration he attended, most commonly as lark — however the rollickingly claustrophobic story of being caught amongst “clowns to the left of [him], jokers to the right” was once too humorous and impossible to resist to be disregarded, sooner or later achieving the Sizzling 100’s supremacy 10.
Maximum Telling Lyric: “Trying to make some sense of it all/ But I can see it makes no sense at all/ Is it cool to go to sleep on the floor?/ ‘Cause I don’t think that I can take anymore” — A.U.
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Grupo Marca Registrada & Tapy Quintero, “Artista Independiente” (2022)
Kind: Foundation Tale
What’s the Do business in? The 2 Mexican acts spin the story of a rugged lone ranger inside the {industry} in “Artista Independiente,” chronicling his generation walk wrapped in guitar cottons and impressive lyrics. Consider darting from California to who-knows-where, dodging generation’s curveballs however by no means losing the ball on side road smarts? It’s about juggling the complicated knocks with complicated paintings, all with a little bit of swagger and 0 apologies, embodied by way of the gruff decision of regional Mexican song.
Maximum Telling Lyric: “Somos gente con la gente que le gusta trabajar/ Como artista independiente ¿me pueden catalogar?” (We’re nation with nation who love to paintings/ As an detached artist, are you able to catalog me?) — ISABELA RAYGOZA
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Lacy J. Dalton, “16th Ave” (1982)
Kind: In the back of the Scenes
What’s the Do business in? Nashville has all the time been famend for its songwriters, and in this 1982 hit — penned by way of one in every of Nashville’s supremacy tunesmiths, Thom Schuyler — Dalton can pay loving tribute to the men who put together the noise on 16th Ave., which was once within the center of Tune Row when the entire song firms have been concentrated in a couple of cut blocks for many years.
Maximum Telling Lyric: “’Cause they walk away from everything/ Just to see a dream come true/ So God bless the boys who make the noise/On 16th Avenue” — M.N.
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Nick Lowe, “I Love My Label” (1978)
Kind: The place’s the Unmarried?
What’s the Do business in? Even though the pub-rock hero and onetime Brinsley Schwartz frontman had written intentionally devastating songs to loose himself from his file do business in with United Artists, it was once “Let’s Go to the Disco” that pulled off the feat. Recorded upcoming as an “advertising jingle,” as he upcoming known as it, for the superb British indie Stiff Information, “I Love My Label” is characteristically sarcastic, damning the act with collapse honour.
Maximum Telling Lyric: “We’re one big happy family/ I guess you could say I’m the poor relation of the parent company” — STEVE KNOPPER
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MGMT, “Congratulations” (2010)
Symbol Credit score: Courtesy Picture Kind: In the back of the Scenes
What’s the Do business in? MGMT’s 2009 sophomore novel Congratulations is largely a nine-song remedy consultation concerning the good fortune of the duo’s 2007 debut Oracular Impressive and its era-defining singles “Time to Pretend” and “Kids.” Congratulations’ tongue-in-cheek name monitor is a psych-rock ode to the celebrity, wealth, privilege, expectancies and common unease created by way of the debut — even though when Congratulations peaked at Disagree. 2 at the Billboard 200, it technically turned into a good larger crash.
Maximum Telling Lyric: “But I’ve got someone to make reports/ That tell me how my money’s spent/ To book my stays and draw my blinds/ So I can’t tell what’s really there/ And all I need’s a great big congratulations” — KATIE BAIN
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Harry Chapin, “W.O.L.D.” (1973)
Kind: In the back of the Scenes
What’s The Do business in? This bittersweet tale music, a couple of DJ who chased his radio desires on the expense of his marriage, cracked the supremacy 40 at the Sizzling 100 in 1974. “W.O.L.D.” (the decision letters are a smart allusion to how the DJ was once founding to really feel aged) is alleged to have impressed the sitcom WKRP in Cincinnati, which debuted 4 years upcoming.
Maximum Telling Lyric: “The bright good morning voice who’s heard but never seen/Feeling all of 45, going on 15.” – PAUL GREIN
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Lavish Funk Railroad, “We’re an American Band” (1973)
Kind: In the back of the Scenes
What’s the Do business in? Written and sung by way of Lavish Funk Railroad drummer Don Brewer, this iconic and anthemic rock standard about generation as traveling rock crew reportedly was once born out of an never-ending summer season excursion that noticed that crew crisscrossing the rustic and assembly the likes of blues legend Freddie King and large groupie Connie Flora, celebrating the colourful cloth of the United States and its insatiable urge for food for rock and roll within the early ’70s.
Maximum Telling Lyric: “We’re comin’ to your town/ We’ll help you party it down/ We’re an American band” — DAVE BROOKS
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Bruce Springsteen, “Last Man Standing” (2020)
Kind: Foundation Tale
What’s the Do business in? When Springsteen’s good friend George Theiss died in 2018, The Boss turned into the extreme dwelling member of his first band, The Castiles. With mortality on his thoughts — “Last Man Standing” seems on Letter to You, the 2020 novel that Springsteen discharged on the peak of the pandemic — the rock celebrity describes his early days seeking to put together it within the {industry}, memorializing what he informed Apple Tune have been “some of the deepest learning years of my life”.
Maximum Telling Lyric: “Knights of Columbus and the Fireman’s Ball/ Friday night at the union hall/ Black leather clubs all along Route 9/ You count the names of the missing as you count off time” — F.D.
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Kendrick Lamar, “For Sale? (Interlude)” (2015)
Kind: Signal Your Identify
What’s the Do business in? Over a deceptively delightful mattress of clean jazz, Ok.Dot spits about Lucy (extreme call: Fur) providing up bucks, mansions and a greater generation for his community in alternate for a modest factor known as a soul. Portraying file word of honour as a do business in with the satan is not anything unutilized, however in Lamar’s fingers, “For Sale? (Interlude)” is an engrossing, clear and unsettling takedown.
Maximum Telling Lyric: “Lucy got paperwork on top of paperwork / I want you to know that Lucy got you / All your life, I watched you /And now you all grown up, then sign this contract if that’s possible.” — J.L.
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Bread, “The Guitar Man” (1972)
Kind: In the back of the Scenes
What’s the Do business in? Don’t let this music’s jaunty vibe idiot you: “The Guitar Man” warns of the bleaker aspect of the musician-fan dating, whether or not it’s a listener twisting a music’s that means looking for a private connection to an artist that isn’t there, or a pale famous person nonetheless chasing the prime of appearing in entrance of a dwindling folk lengthy next their quarter-hour has lapsed.
Maximum Telling Lyric: “Then the lights begin to flicker and the sound is getting dim/ The voice begins to falter and the crowds are getting thin/ But he never seems to notice, he’s just got to find another place to play” – KATIE ATKINSON
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Barry Manilow, “Studio Musician” (1977)
Kind: In the back of the Scenes
What’s The Do business in? This affectionate ballad about musicians who put their very own desires on store to play games for rent is related plethora to Manilow’s personal tale – he composed jingles and organized for others sooner than he poor via with “Mandy” – that you’ll have assumed that he wrote it. In truth, the music was once written and primary recorded by way of a pre-fame Rupert Holmes, however that factoid simply underscores the idea of “Studio Musician” – there are extra nation all for a music than the one that is out entrance.
Maximum Telling Lyric: “I’m a man of the moment/ Pop is my stock-in-trade/ Singles, jingles and demos, conveniently made/ A studio musician whose music will die unplayed.” – P.G.
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Lana Del Rey, “White Dress” (2021)
Kind: Foundation Tale
What’s the Do business in? In “White Dress,” Lana Del Rey reminisces a couple of more practical moment in her generation that preceded her be on one?s feet to repute. As a 19-year-old waitress, Del Rey describes feeling assured about her destiny in spite of (or possibly on account of) her naïvety concerning the song act. Within the music’s well-known chorus, she talks about going “Down [to] Orlando” for the “Men in Music Business Conference,” a fictional {industry} industry display. In “White Dress,” Del Rey captures the thrill, innocence and hesitation of an artist’s early profession – the moment simply sooner than any individual was once gazing.
Maximum Telling Lyric: “Look how I got this/ Just singing in the street/ Down at the Men in Music Business Conference/ I felt free cause I was only nineteen/ Such a scene” — KRISTIN ROBINSON
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Sturgill Simpson, “Mercury in Retrograde” (2019)
Kind: Meet the Press/F**ok This Trade
What’s the Do business in? A spacey, grooving rhythm belies a Simpson roast the place nobody escapes the flame, as newshounds, bus-crashers, faux buddies and haters all get a flip at the spit.
Maximum Telling Lyric: “Light a match and burn it all down/ Head back home to the mountain/ Far away from all of the pull/ Of all the journalists and sycophants building their brands…” — CHRISTINE WERTHMAN
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Sugarloaf, “Don’t Call Us, We’ll Call You” (1974)
Kind: Signal Your Identify
What’s the Do business in? It’s the supposedly true tale of Sugarloaf seeking to get a file do business in and being handled very shabbily — however revenge is nice. Next the label A&R dude passes, they finally end up having a wreck (1970’s Disagree. 3 crash, “Green-Eyed Lady”) and they’re those now not taking his shouts. Even sweeter: “Don’t Call Us” going to Disagree. 9 in 1975.
Maximum Telling Lyric: “You said, “Hello” and put me on store/ To mention the least, the cat was once chilly/ He stated, “Don’t call us, child, we’ll call you” — M.N.
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Hasten, “The Spirit of Radio” (1980)
Symbol Credit score: Courtesy Picture Kind: Condition of the Biz
What’s the Do business in: Hasten’s 1980 vintage rock radio staple is a observation on how radio was once nearest changing into a much less creative and extra commercially pushed undertaking, with the music additionally concurrently emulating radio itself. Transferring types (rock, unutilized stream, the reggae of the general 3rd and a method of drumming Neil Peart identified as punk) are supposed to conjure flipping between stations, with the shimmering opening riff designed to tone just like the static of the airwaves itself.
Maximum Telling Lyric: “One likes to believe in the freedom of music/ But glittering prizes and endless compromises/ Shatter the illusion of integrity” (But additionally, “Oooooooof SALESMEN!”) — Ok.B.
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Liz Phair, “And He Slayed Her” (2010)
Kind: F**ok This Trade
What’s the Do business in? Next vaulting to indie rock stardom on Matador Information within the mid-’90s, Phair bumped into all-too-common issues of the label brass in her tortured stint at Capitol Information on the flip of the century. Phair’s loss is our acquire, because the incident ended in a lightless revenge untruth impressed by way of then-Capitol CEO and president Andy Slater’s (learn the song title slowly) refusal to let loose of her promise. “He was just holding on to me because he could,” she told Pitchfork in 2008. “It just sucked, and I was depressed.”
Maximum Telling Lyric: “What kind of life did you think you were gonna live/ When everyone in town put a price on your head?” — G.P.
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Richard Marx, “Don’t Mean Nothing” (1987)
Kind: Signal Your Identify
What’s the Do business in? With lyrics that are meant to be posted on each and every town limits check in Los Angeles, Richard Marx’s debut single slyly excoriated the disingenuousness and ethical rot on the {industry}’s foundations, a cautionary story he made residue head-spinning by way of handing over by the use of brightly hooky efficiency chords its lightless issues, about how not anything in Hollywood way the rest till your take a look at clears.
Maximum Telling Lyric: “And you want to scream, but you gotta keep it all inside/ When you’re trying to make a living/ There ain’t no such thing as pride” — Ok.B.
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Neil Younger, “This Note’s for You” (1988)
Kind: Condition of the Biz
What’s the Do business in? Lengthy sooner than artists clamored to transform the soundtracks to sodas and alcoholic drinks, many artists handled company sponsorships as an integrity-killer. With “This Note’s For You,” a bluesy song subsidized by way of a punchy horn division, Younger skewered his contemporaries for promoting their song to companies. He doesn’t unmarried out artists, however Younger name-drops Pepsi, Coke, Miller, and Budweiser and its dog mascot, Spuds MacKenzie — riding the satire house with a vintage ad-skewering song video that turned into a awe video of the 12 months winner on the 1989 VMAs.
Maximum Telling Lyric: “Ain’t singing for Pepsi/ Ain’t singing for Coke/ I don’t sing for nobody/ Makes me look like a joke.” — G.P.
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Camp Cope, “The Opener” (2018)
Kind: In the back of the Scenes
What’s the Do business in? In 2018, the post-#MeToo song {industry} was once in spite of everything founding to grapple with questions alike to sexism and abuse of efficiency within the song {industry} that had too lengthy long past unchecked. Aussie feminine punk trio Camp Cope had each one of the crucial vicious and maximum affectionate songs at the subject with the miserable “The Opener,” which mock-quoted males within the {industry} who claimed to have their pursuits at center however have been maximum inquisitive about holding them of their park: “Yeah, just get a female opener, that’ll fill the quota.”
Maximum Telling Lyric: “It’s another whole male tour preaching equality/ It’s another straight cis man who knows more about this than me” — A.U.
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Babasónicos, “Soy Rock” (2001)
Kind: F**ok This Trade
What’s the Do business in? Babasónicos’ fiery anthem cuts deep into the song {industry}’s commodification of artists and their artwork. With a rebellious sound and unapologetic lyrics, the music demanding situations the restrictions and industrial expectancies put on musicians. It’s a defiant declaration of self rule from the pressures to evolve to {industry} requirements, and rather, embracing a natural, unadulterated kind of self-expression: rock!!!
Maximum Telling Lyric: “Soy muy puta y no trabajo para vos” (I’m a whinge and I don’t be just right for you) — I.R.
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Jay-Z, “Izzo (H.O.V.A.)” (2001)
Kind: Condition of the Biz
What’s the Do business in? On the lead single from his 2001 masterpiece The Blueprint, Jay-Z main points how he defied the percentages in spite of his environment — and really publicly reminds main label executives that he didn’t do it concerned with not anything, both, calling the {industry} “shady” and providing that they almost certainly abhor him for “raising the status quo up” in hip-hop.
Maximum Telling Lyric: “Pay us like you owe us for all the years that you hoed us/ We can talk, but money talks, so talk more bucks” — JOSH GLICKSMAN
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Weapons N’ Roses, “Get in the Ring” (1991)
Kind: Meet the Press
What’s the Do business in? Axl Rose’s missive in opposition to the early-’90s rock journalism for “spreading lies” about him and his band (you higher consider he names names) would possibly’ve additional broken his already-hurting media rep, and almost certainly value Virtue Your Phantasm II a celebrity or two in a pair publications. Nevertheless it’s one of the most perfect first-hand cautionary stories rock ever produced concerning the risks of studying your individual press — and hiya, no less than Axl was once (very) keen to struggle his personal struggle, in lieu than simply siccing his fan military on his foes.
Maximum Telling Lyric: “Printin’ lies, startin’ controversy/ You wanta antagonize me/ Antagonize me motherf–ker/ Get in the ring motherf–ker/ And I’ll kick your b–chy little ass!” — A.U.
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Billy Squier, “The Stroke” (1981)
Kind: Signal Your Identify
What’s the Do business in? Regardless of the name, Billy Squier’s signature hit isn’t about self-love — it’s his label that’s doing the stroking, and the one loose that comes on the finish of it’s the one with their pre-approved tracklist, secure artwork and radio-ready top unmarried.
Maximum Telling Lyric: “Put your right hand out, give a firm handshake/ Talk to me about that one big break/ Spread your ear pollution, both far and wide” — A.U.
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Eagles, “New Kid in Town” (1976)
Kind: Condition of the Biz
What’s the Do business in? “We were basically saying, ‘Look, we know we’re red hot right now but we also know that somebody’s going to come along and replace us,’” Eagles’ Don Henley stated concerning the gossipy heartbreak ballad that turned into the crowd’s first Sizzling 100 Disagree. 1 crash off Lodge California in early ’77. Good-looking telling: If even the friggin’ Lodge California-era Eagles couldn’t be accumulation about their park within the song {industry}, obviously nobody within the biz would ever really feel utterly safeguard.
Maximum Telling Lyric: “You’re walking away and they’re talking behind you/ They will never forget you ’til somebody new comes along” — A.U.
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Kelly Rowland, “Dirty Laundry” (2013)
Symbol Credit score: Courtesy Picture Kind: In the back of the Scenes
What’s the Do business in? Life Beyoncé was once ruling the sector because the preeminent solo famous person of the 2000s, her aged Future’s Kid groupmate Kelly Rowland was once suffering — now not simply failing to assemble similar-sized hits of her personal, however falling below the thumb of an abusive guy who “turned me against my sister.” The harrowing “Dirty Laundry” posits that in the end, the dirtiest piece of industrial within the song {industry} is that whilst you’re now not generating hits, no one cares what sort of hits you’re taking to your non-public generation.
Maximum Telling Lyric: “Meanwhile this n—a putting his hands on me/ I swear y’all don’t know the half of this industry” — A.U.
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Alan Jackson, “Gone Country” (1994)
Kind: Condition of the Biz
What’s the Do business in? Following the rustic increase created by way of Garth Brooks, Clint Dark and others within the early ‘90s, carpetbaggers from Los Angeles and New York swarmed to Nashville, figuring it couldn’t be that complicated to put together it in Tune Town. The pairing of mythical songwriter Bob McDill and the twangy Jackson on this cynical, humorous take at the inflow went instantly to Disagree. 1 at the Nation Airplay chart in 1994.
Maximum Telling Lyric: “She’s been readin’ about Nashville and all the records that everybody’s buyin’/ Says, “I’m a simple girl myself, grew up on Long Island” — M.N.
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Taylor Speedy, “The Lucky One” (2012)
Kind: F**ok This Trade
What’s the Do business in? In an enchanting, future-forecasting early deep trim, Taylor Speedy tells the story of a anonymous former song icon who turned into upset with the glare of the highlight and determined to trim out sooner than her moment, together with her cash and her dignity nonetheless i tact. Within the ultimate verse, Speedy realizes she would possibly quickly face a identical selection in her personal profession: “Now my name is up in lights/ But I think you got it right.”
Maximum Telling Lyric: “They tell you that you’re lucky, but you’re so confused/ ‘Cause you don’t feel pretty, you just feel used/ And all the young things line up to take your place” — A.U.
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Mojo Nixon, “Bring Me the Head of David Geffen” (1997)
Kind: In the back of the Scenes
What’s the Do business in? Phase punk, section rockabilly, this furious barn-burner from 1997 takes try at mega song rich person David Geffen for single-handedly killing the soul of rock and roll by way of selling occasions like Woodstock 94, encouraging Pepsi to sponsor Michael Jackson and orchestrating a do business in between Budweiser and Rolling Stones. Legend has it that the music was once firstly all set for loose in 1995, most effective to be axed by way of Geffen on the moment — a declare shot indisposed by way of Geffen, by the use of a spokesperson, with a Mariah Carey-style diss: “He doesn’t even know who Mojo Nixon is.”
Maximum Telling Lyric: “Hell’s gonna freeze over/ Hotel California/ Don’t say I didn’t warn ya/ Even Don Henley’s got to bend over” — D.B.
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Chappell Roan, “California” (2023)
Kind: The place’s the Unmarried?
What’s the Do business in? Chappell Roan’s explosive reputation didn’t happen in a single day; it was once a decade within the making – and now not one with out disaster. Her skill was once indeniable, however as a youngster founding out within the song act, she wasn’t receiving rapid pop star-level good fortune, which in the end resulted in her first main label, Atlantic Information, losing her. The outcome? This melodic, heartfelt bop describes her emotions of disillusionment with California and the struggle for repute inside the song {industry}.
Maximum Telling Lyric: “’Cause I was never told that I wasn’t gonna get/ The things I want the most/ But people always say, ‘If it hasn’t happened yet/ Then maybe you should go’” — RYLEE JOHNSTON
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Gillian Welch, “Everything Is Free” (2001)
Kind: Condition of the Biz
What’s the Do business in? It is advisable forgive any individual inside the {industry} for freaking out on the flip of the century when the sale of song all at once turned into lawless, as filesharing became all of the biz into the Wild West. Americana singer-songwriter Gillian Welch handled it extra delicately than maximum, the usage of the time {of professional} panic to a miserable (however dignified) attention of a generation the place song merely isn’t her task anymore: “I’ll just stay at home and sing a little love song/ My love and myself/ If there’s something that you want to hear/ You can sing it yourself”
Maximum Telling Lyric: “But everything is free now/ That’s what they say/ Everything I ever done/ Gonna give it away” — A.U.
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Depeche Form, “Everything Counts” (1983)
Kind: Signal Your Identify
What’s the Do business in? As Depeche Form grew in reputation over the process the ‘80s, they found the grabbing hands grabbing all they can to be getting ever grabbier — resulting in this venomous dollars-and-cents synth-rock banger about their artistry and life’s paintings being decreased to numbers within the graph (THE GRAPH!) at the wall.
Maximum Telling Lyric: “The handshake seals the contract/ From the contract, there’s no turning back” — A.U.
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Alanis Morissette, “Right Through You” (1995)
Kind: Foundation Tale/F**ok This Trade
What’s the Do business in: A relative deep trim from the map of the feminine emotional ground that was once Alanis Morissette’s 1995 masterpiece Jagged Modest Tablet, “Right Through You” shreds the misogynistic label bros she encounters amid her be on one?s feet. Morissette’s disgust over their sexual harassment and dismissive condescension is matched by way of the wonder of the revenge she exacts, when she turns into a celebrity they usually “scan the credits for” their “name, and wonder why it’s not there.”
Maximum Telling Lyric: “You took me out to wine dine sixty-nine me/ But didn’t hear a damn word I said” — Ok.B.
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The Accident, “Complete Control” (1977)
Kind: Signal Your Identify
What’s the Do business in?: When CBS discharged “Remote Control” as a unmarried from The Accident’s self-titled U.Ok. debut in opposition to the band’s needs, they answered with this furious, muscular punk screed about labels, managers, law enforcement officials and the media. And so they made certain it was once at the U.S. model in their self-titled novel, which got here out two years upcoming next the U.Ok. model.
Maximum Telling Lyric: “They said we’d be artistically free/ When we signed that bit of paper/ They meant, ‘Let’s make a lots of money/ And worry about it later.’” — J.L.
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Raspberries, “Overnight Sensation (Hit Record)” (1974)
Kind: The place’s the Unmarried?
What’s the Do business in? “Overnight Sensation” is set as starry-eyed a pop file about going for the gold as you’ll ever listen, a veritable dream untruth form on seven inches of wax. However the Raspberries had in fact already scored their crash file, yeah two years previous with the power-pop all-timer “Go All the Way:’ listen closely to Eric Carmen’s you can already hear a little fear and bitterness mixed in with the wistfulness as he quotes a radio exec: “So bring the group down to the station/ You’re gonna be an overnight sensation.” He already is aware of it’s now not in reality that easy, nor that simple to copy.
Maximum Telling Lyric: “I fit those words to a good melody/ Amazing how success has been ignoring me/ So long” — A.U.
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Sonic Adolescence, “Kill Yr Idols” (1983)
Symbol Credit score: Courtesy Picture Kind: Meet the Press
What’s the Do business in? Loud, bratty, discordant and sorta extraordinary, Sonic Adolescence have been hardly ever media darlings from Occasion One — in part, possibly, because of this exhilarating Generation 0 screed in opposition to bands who actively courted the esteem of critics basically and “dean of rock critics” Robert Christgau specifically. (Fresh name: “I Killed Christgau With My Big F–king D–k”.”)
Maximum Telling Lyric: “I don’t know why/ You wanna impress Christgau/ Ah let that shit die
And find out the new goal.” — A.U. -
Anticipation the Rapper feat. 2 Chainz & Lil Wayne, “No Problem” (2015)
Kind: Signal Your Identify
What’s the Do business in? If you happen to adopted Anticipation the Rapper’s huge be on one?s feet within the mid-2010s in any capability, it might were complicated to leave out his proud situation as an detached artist — one thing he wastes modest moment touting in what was once nearest his biggest hit to age as a top artist, additionally enlisting 2 Chainz and Lil Wayne for some residue muscle in opposition to the ones chronic, pesky main labels.
Maximum Telling Lyric: “If one more label try to stop me/It’s gon’ be some dreadhead n—as in your lobby” — J.G.
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George Harrison, “When We Was Fab” (1987)
Kind: Foundation Tale
What’s the Do business in? Just about twenty years next the Beatles’ breakup, George Harrison flashed again to the crowd’s heyday with this seemingly wistful hit concerning the excellent ol’ days that was once in fact much less dewey-eyed and extra eye-rolling concerning the circus of all of it — together with sneering references to the clicking, the police, and (after all) the taxman.
Maximum Telling Lyric: “Long time ago when we was fab/ Back when income tax was all we had” — A.U.
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Dr. Hook, “The Cover of ‘Rolling Stone'” (1972)
Kind: Meet the Press / In the back of the Scenes
What’s the Do business in? This song humorously captures the rock famous person generation, celebrating the entire excesses and privileges that repute brings and the superficial thrill that musicians regularly chase — having their faces grace the secure of a well-known song brochure. The lyrics satirize the rock ‘n’ roll scene of the ‘70s, poking fun at the obsession with public image, media attention, and the validation of one’s good fortune via print covers.
Maximum Telling Lyric: “Wanna see my smilin’ face on the cover of the Rolling Stone.” — I.R.
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Tom Petty and the Heartbreakers, “Into the Great Wide Open” (1991)
Kind: The place’s the Unmarried? / Foundation Tale
What’s the Do business in? Petty’s poetically plainspoken approach with a lyric lends the tale right here of Eddie, who strikes to Hollywood next highschool with desires of rock stardom, the sensation of a myth. And like all undying myth, this one has a lesson — person who’s the entire extra chilly when juxtaposed with the light, strummed refrain — that enjoying from “the heart” regularly isn’t plethora to put together it within the {industry}; hits rule the pace, and for plethora of artists, considering another way is tantamount to being “without a clue.”
Maximum Telling Lyric: “They both met movie stars, partied and mingled/Their A&R man said I don’t hear a single/The future was wide open” — REBECCA MILZOFF
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The Rolling Stones, “The Under Assistant West Coast Promotion Man” (1965)
Kind: Condition of the Biz
What’s the Do business in? When the Rolling Stones have been song {industry} doggies (sure, there was once this sort of moment), England’s Latest Hitmakers discovered themselves drowning in a sea of self-important biz gamers with cheesy fits and malicious toupees. They wrote this harmonica blues number particularly as a send-up of George Sherlock, a (you guessed it) promo guy from the label who chaperoned their excursion of the West Coast.
Maximum Telling Lyric: “I’m sitting here thinking just how sharp I am/ I’m a necessary talent behind every rock n’ roll band.” — J.L.
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Ye, “No More Parties in LA”
Kind: In the back of the Scenes
What’s the Do business in? Life tapping Kendrick Lamar all over the peak of his “Alright” good fortune, Ye outperforms the guy A-list rapper by way of condemning the unhinged way of life of the lavish and well-known (that he additionally very a lot was once dwelling as a rap celebrity) over Madlib’s intropective manufacturing.
Maximum Telling Lyric: “A thirty-eight-year-old eight-year-old with rich n—a problems/ Tell my wife that I hate the Rolls so I don’t never drive it/ It took six months to get the Mayback all matted out/ And my assistant crashed it soon as they backed it out.” — HERAN MAMO
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Margo Worth, “This Town Gets Around” (2016)
Kind: F**ok This Trade
What’s the Do business in? When Margo Worth were given her tremendous breaking signing with Jack White’s 3rd Guy Information, she got here absolutely supplied with a impressive nation file stuffed with the hard-fought tales of the way she created it. “This Town Gets Around” is a deceivingly pleasant, floor-stomping romp about how two-faced and sleazy the Nashville song {industry} in reality is.
Maximum Telling Lyric: “As the saying goes, it’s not who you know/But it’s who you blow that’ll get you in the show” — T.M.
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The Beatles, “You Never Give Me Your Money” (1969)
Kind: Signal Your Identify
What’s the Do business in? Written by way of Paul McCartney, this patchwork Abbey Road track addresses the band’s monetary and logistical struggles following the loss of life of longtime supervisor Brian Epstein. The bassist has additionally stated that he had the crowd’s polarizing substitute supervisor, Allen Klein, in thoughts week penning the primary section, through which he evidently criticizes his topic’s blank guarantees.
Maximum Telling Lyric: “You never give me your money/ You only give me your funny paper/ And in the middle of negotiations/ You break down.” — HANNAH DAILEY
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Regular, “I Used to Love H.E.R.” (1994)
Kind: Condition of the Biz
What’s the Do business in? Regular dupes listeners into considering he’s speaking a couple of former lover, however he’s actually speaking at the hip-hop {industry}, and what sort of the sport has modified by way of the mid-’90s — with artists straying additional clear of the pillars of what the style was once constructed on, and caving to the pressures of labels, nation belief and mainstream attraction.
Maximum Telling Lyric: “Once The Man got to her, he altered her native/ Told her if she got an image and a gimmick/ That she could make money, and she did it like a dummy.” — M.S.
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Kesha, “Fine Line” (2023)
Symbol Credit score: Courtesy Picture Kind: F**ok This Trade
What’s the Do business in? “Fine Line,” the admirable top unmarried from Kesha’s 5th studio novel, 2023’s Gag Series, unearths the pop famous person alluding to her criminal struggle with Grammy-nominated, Billboard Sizzling 100-topping manufacturer Dr. Luke — and likewise unearths her enraged, pissed off and “so godd–n sick of fighting.” (In 2014, Kesha sued Luke for emotional misery, sex-based abhor crimes and function discrimination. Luke has denied all allegations, and he countersued the similar 12 months for defamation. He and Kesha discharged a joint observation saying their agreement in June 2023.)
Maximum Telling Lyric: “This is where you f–kers pushed me/ Don’t be surprised if shit gets ugly/ All the doctors and lawyers cut the tongue outta my mouth/ I’ve been hidin’ my anger, but bitch, look at me now” — KYLE DENIS
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John Fogerty, “Vanz Kant Danz”
Kind: Signal Your Identify
What’s the Do business in? Fogerty’s more than one criminal battles with the landlord of Creedence Clearwater Revival’s label, Untruth Information’ Saul Zaentz — which stretched over 5 a long time — impressed this song and resulted in additional litigation. At first titled “Zanz Can’t Dance” (early copies of the novel lift this music name), it was once one in every of two ferocious diss tracks geared toward Zaentz on Fogerty’s wreck 1985 solo novel, Centerfield. Zaentz, who died in 2014, sued for defamation, which precipitated the name trade.
Maximum Telling Lyric: “Vanz can’t dance, but he’ll steal your money/ Watch him or he’ll rob you blind” — F.D.
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Willie Nelson, “On the Road Again” (1980)
Kind: In the back of the Scenes
What’s the Do business in? An strangely rose-tinted have a look at traveling generation, Willie Nelson is all smiles on this road-tripping classic as he hits the freeway together with his guys, “Goin’ places that I’ve never been/ Seein’ things that I may never see again.” And he should’ve in reality intended it, taking into account he’s slightly bogged down his gigging within the four-plus a long time since.
Maximum Telling Lyric: “The life I love is makin’ music with my friends/ And I can’t wait to get on the road again” — A.U.
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Warren Zevon, “Even a Dog Can Shake Hands” (1987)
Kind: F**ok This Trade
What’s the Do business in? Rock’s wryest wit embarked upon a satiric Sherman’s march throughout the L.A. song biz on this Springsteen-esque rocker about how {industry} insiders will snatch your cash, your moment and your happiness. And if there’s the rest left, the enthusiasts will almost certainly need that.
Maximum Telling Lyric: “Abandon all hope, and don’t rock the boat/ And we’ll all make a few hundred grand.” — J.L.
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Residente, “Bzrp Music Sessions, Vol. 49” (2022)
Kind: F**ok This Trade
What’s the Do business in? In his session with Argentine DJ Bizarrap, Puerto Rican rapper Residente delivers a scathing reprimand of Latin city song and all of the Latin {industry} for a riveting 8:39. The intentions are cloudless from the primary bar: “I’m uneasy as I watch over the urban genre,” Residente starts, ominous, however innocently plethora, sooner than launching into an extraordinary critique of — amongst alternative issues — inactive lyrics, social media boasting, Billboard awards, payola, Auto-Song, songwriting credit and his personal colleagues. On this blistering rant, nobody was once absolved.
Maximum Telling Lyric: “Today I‘ll f–k the fame industry, until I break the springs in my bed.” — L.C.
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RAYE, “Ice Cream Man” (2023)
Kind: In the back of the Scenes
What’s the Do business in? Taken from her award-winning debut LP, My twenty first Century Blues, “Ice Cream Man” is Raye’s as it should be chilling musical account of her sexual attack by the hands of a unnamed song manufacturer, who was once “coming like the ice cream man/ ‘Til I felt his ice-cold hands.”
Maximum Telling Lyric: “But when I got there, should’ve heard what he was saying/ Tryna touch me, tryna f–k me, I’m not playing/ I should have left that place as soon as I walked in it/ How goddamn dare you do that to me, really?” — Ok.D.
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The Byrds, “So You Want to Be a Rock ‘N’ Roll Star” (1966)
Kind: Signal Your Identify
What’s the Do business in? On The Byrds’ fourth novel, More youthful Than The day gone by, Jim McGuinn and Chris Hillman became a realistic, how-to information in accordance with the band’s near-overnight good fortune into 2:05 of sublime psychedelic rock. Discover ways to play games guitar, get the hair and pants good, get an agent and “sell your soul to the [record] company,” they sing. And should you put together the charts, “the girls’ll tear you apart.”
Maximum Telling Lyric: “Price you paid for your riches and fame/ Was it all a strange game? You’re a little insane.” — G.P.
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Graham Parker and the Hearsay, “Mercury Poisoning” (1979)
Kind: Signal Your Identify
What’s The Do business in? At the moment, Parker blows a kazoo in live performance. Within the past due ‘70s, he blew his top over what he felt was Mercury Records’ inept promotion of his band, which had blown up in the UK however was once modest greater than critics’ darlings in the US. When the band moved to Arista, Parker recorded this unforgettable parting shot, which his unutilized label pour out as a promotional unmarried however by no means formally discharged.
Maximum Telling Lyric: “The company is crippling me/ The worst trying to ruin the best, the best/ Their promotion’s so lame/ They could never ever take it to the real ball game” — F.D.
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Wu-Tang Extended family, “Protect Ya Neck” (1992)
Kind: Signal Your Identify
What’s the Do business in? The GZA is the extreme guy up for the Wu’s game-changing lead single, and he’s already in poor health to loss of life of labels with “short arms and deep pockets” having negative clue what to do with the nine-man Extended family, unleashing some fiendish rhymes at their expense: “First of all, who’s your A&R?/ A mountain climber who plays an electric guitar?/ But he don’t know the meanin’ of dope.”
Maximum Telling Lyric: “The Wu is too slammin’ for these Cold Killin’ labels/ Some ain’t had hits since I seen Aunt Mabel/ Be doin’ artists in like Cain did Abel/ Now their money’s gettin’ stuck to the gum under the table” — A.U.
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Prince, “Emancipation” (1996)
Kind: Signal Your Identify
What’s the Do business in? Prince famously lashed out at his longtime main label, Warner Bros., by way of converting his call to an unpronounceable image, scrawling “SLAVE” on his cheek and promoting his many unutilized songs by the use of a toll-free quantity or the newfangled Web. “Emancipation,” the name monitor for a three-CD all set on his unutilized NPG Information, was once the funky challenge observation for this section of the Red One’s profession: “I hope the business is heading towards emancipation for its contracted performers,” he informed the Miami Usher in in 1997. “Then the music will change toward the truth.”
Maximum Telling Lyric: “My back was broken and my spirit ill at ease/ And now it seems just like the autumn leaves” — S.Ok.
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Charli XCX with Lorde, “Girl, So Confusing” (2024)
Symbol Credit score: Courtesy Picture Kind: In the back of the Scenes
What’s the Do business in? It’s uncommon that enthusiasts get to look at pop stars squash their red meat in actual moment, however it’s extraordinary to hear them do it on a music in combination (learn: they labored it out at the remix). In this up to date model of “Girl,” Charli and Lorde give an explanation for the stress-induced self-sabotage that led every to take a position concerning the alternative’s emotions, week concurrently calling out the industry-generated misogyny that resulted in the misperception within the first park. In a act that may prioritize competitiveness and pettiness among its famous person gamers, those two became it round and pointed the finger within the accurate direction.
Maximum Telling Lyric: “People say we’re alike, they say we’ve got the same hair/ It’s you and me on the coin the industry loves to spend.” — STEPHEN DAW
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Intercourse Pistols, “EMI” (1977)
Kind: Signal Your Identify
What’s the Do business in: Next EMI were given spooked by way of some deafening conduct and dropped the Intercourse Pistols most effective 3 months right into a two-year promise, the band answered with this middle-finger salute that made it cloudless to their former label that punk wasn’t a facade — it was once an approach to life.
Maximum Telling Lyric: “And you thought that we were faking/ That we were all just moneymaking/ You do not believe we’re for real/ Or you would lose your cheap appeal?” — C.W.
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A Tribe Known as Quest, “Check the Rhime” (1991)
Kind: Foundation Tale
What’s the Do business in? As they industry nostalgic strains in this call-and-response anthem, Q-Tip and Phife Dawg lay out a roadmap for rookie rappers: Keep true to your self (“Just remain your own or you’ll be crazy sad and alone”), offer protection to hip-hop’s underground roots (“Rap is not pop, if you call it that then stop”), and, properly, we’ll simply let Tip percentage the utmost “industry rule”…
Maximum Telling Lyric: “Industry rule number four-thousand-and-eighty: Record company people are shady/ So kids, watch your back ’cause I think they smoke crack/ I don’t doubt it, look at how they act.” – Ok.A.
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George Strait with Alan Jackson, “Murder on Music Row” (2000)
Kind: Condition of the Biz
What’s the Do business in: “Murder on Music Row” decries the pop sounds proliferating nation radio (and the corresponding shoving apart of extra conventional nation artists and instrumentation) because of the Nashville song {industry}’s profit-maximizing urges, evaluating the shift to a legal getting away with homicide. Jackson and Strait carried out the music all over the 1999 CMA Awards, and the music resonated with enthusiasts, in the end achieving Disagree. 38 on Billboard’s Sizzling Nation Songs and Tracks chart in 2000.
Maximum Telling Lyric: “The almighty dollar and the lust for worldwide fame/ Slowly killed tradition and for that, someone should hang” — JESSICA NICHOLSON
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David Bowie, “Fame” (1975)
Kind: In the back of the Scenes
What’s the Do business in? An iconic critique of the tantalizing but misleading nature of repute, “Fame” unfurls the paradoxes and pressures of famous person situation, delivered with Bowie’s feature wit and biting perception. Its edgy funk groove drives house the concept week repute would possibly carry you, it additionally enslaves you — making it a double-edged sword that shapes conduct and private relationships — the entire week the parents who are meant to be operating for you scream “nein, it’s mine!” relating to your cash.
Maximum Telling Lyric: “Fame (fame) what you like is in the limo/ Fame (fame) what you get is no tomorrow/ Fame (fame) what you need you have to borrow.” — I.R.
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Reel Large Fish, “Sell Out” (1997)
Kind: The place’s the Unmarried?
What’s the Do business in? Let’s face it: Out of doors of a Disagree Hesitancy right here and a Chic there, ska by no means in reality served up tremendous hits or larger bands. However the Fish stuck one with “Sell Out” — perhaps probably the most gleefully ironic crash of the period, given its lyrics about doing what the file corporate needs simply to harvest the fleeting rewards of having out of that speedy meals task, soul or happiness be damned.
Maximum Telling Lyric: “Sell out with me, oh yeah/ Sell out with me tonight/ The record company’s gonna give me lots of money/ And everything’s gonna be alright” — DAN RYS
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Eminem, “The Way I Am” (2000)
Kind: F**ok This Trade
What’s the Do business in? As Eminem’s following ballooned into the stratosphere on the flip of the century, he made certain to let everybody know that he wouldn’t be sending any thank-you notes: On this Marshall Mathers LP single, he is taking try at everybody from bystanders bothering him on a daily foundation to oldsters blaming him for his lyrical content material to label executives to eminent names at the radio circuit.
Maximum Telling Lyric: “I’m so sick and tired of being admired/That I wish that I would just die or get fired” — J.G.
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Billy Joel, “The Entertainer” (1974)
Kind: The place’s the Unmarried?
What’s The Do business in? In 1975, this spunky pop song turned into Joel’s 2d supremacy 40 crash at the Sizzling 100. The music captures the anxieties of a performer whose park within the pop hierarchy was once now not but accumulation. He was once a reputation, however now not but a celebrity, and he knew that if his file didn’t promote, he may well be “put in the back in the discount rack like another can of beans.”
Maximum Telling Lyric: “And I won’t be here in another year/If I don’t stay on the charts.” – P.G.
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Queen, “Radio Ga Ga” (1984)
Kind: Condition of the Biz
What’s the Do business in? With MTV changing into the cultural speaking level (and regularly punching bag) of the early ’80s, Queen determined to pay tribute to their loved radio on this 1984 heater. Reminiscing concerning the layout’s blonde years and its use in defining tradition all through the 20 th century, Mercury’s resonance shifts as he laments the situation of the “goo goo” and “blah blah” he can’t steer clear of at the airwaves. Making an allowance for the music would exit directly to encourage the call of one of the most upcoming century’s defining pop stars, it’s safeguard to mention that Queen’s “Ga Ga” level was once well-taken.
Maximum Telling Lyric: “We hardly need to use our ears/ How music changes through the years” — S.D.
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LCD Soundsystem, “You Wanted a Hit” (2010)
Kind: The place’s the Unmarried?
What’s the Do business in? LCD’s complete schtick was once hyper-self-awareness and doing issues for romance over repute, so when the celebrity got here next 2007’s Pitch of Silver they have been well-prepared to (lyrically, no less than) spit in its face — and this one off 2010’s This Is Taking place, thumbing their noses at a file corporate determined for one thing to deliver to radio, is true-to-form, proper all the way down to its un-radio-friendly nine-minute run moment.
Maximum Telling Lyric: “Yeah you wanted a hit/ But tell me, where’s the point in it?/ You wanted a hit/ But that’s not what we do” — D.R.
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Middle, “Barracuda” (1977)
Symbol Credit score: Courtesy Picture Kind: F**ok This Trade
What’s the Do business in? The Wilson sisters took try at their first label – and the sleaziest portions of the song {industry} as an entire – by way of evaluating grasping pros to the slippery, predatory name fish in this driving rocker. The music’s perfect trick is Roger Fisher’s propulsive riff, which manages to build the sensation of a bloodthirsty attacker mendacity in stay up for its probability to clash.
Maximum Telling Lyric: “You lying so low in the weeds I bet you gonna ambush me/ You’d have me down, down, down, down on my knees/ Now wouldn’t you, Barracuda?” – Ok.A.
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Lynyrd Skynyrd, “Workin’ for MCA” (1974)
Kind: Signal Your Identify
What’s the Do business in? Lynyrd Skynyrd’s 2d novel, 2nd Serving to, holds this tale of the crowd’s seven-year walk “from the Florida border up to Nashville, Tennessee” and promise with MCA and manufacturer Al Kooper, a “Yankee slicker with a big ol’ Southern grin” who made guarantees of “lots of money” — even though the band most effective were given $9,000 for its preliminary do business in. Now not a radio crash, however it’s biting riff-filled Southern rock at its skillful.
Maximum Telling Lyric: “But I’ll sign my contract baby, and I want you people to know/ That every penny that I make, I gotta see where my money goes” — G.P.
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HAIM, “Man From the Magazine” (2021)
Kind: Meet the Press
What’s the Do business in? Since they have been children, the Haim sisters were enjoying more than one tools, appearing are living and writing their very own subject matter. So, if a song journalist or guy on the song store doesn’t have moment to regard them just like the proficient musicians that they’re, they’re working out which door gets them out quickest. Over expertly performed acoustic guitar, HAIM lays out on “Man From the Magazine” that so far as interviews exit, they’re carried out with being crash on, underestimated and (most significantly) being informed that’s simply the way in which issues exit.
Maximum Telling Lyric? “Man from the magazine, what did you say?/ Do you make the same faces in bed?/ Hey, man, what kind of question is that?” — T.M.
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Joni Mitchell, “Free Man in Paris” (1974)
Kind: In the back of the Scenes
What’s the Do business in? Mitchell captures the everlasting {industry} of conundrum of merely now not with the ability to please everyone the entire moment in this 1974 gem about her good friend David Geffen, who felt the vacay in escaping the “star maker machinery” all over a travel to Paris within the pre-internet period, when it was once nonetheless imaginable to in fact break out.
Maximum Telling Lyric: “Lately I wonder what I do it for/ If l had my way/ I’d just walk out those doors” — Ok.B.
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P!nk, “Don’t Let Me Get Me” (2001)
Kind: Foundation Tale
What’s the Do business in? On her 2d novel M!ssundaztood, P!nk took inventive keep watch over, guidance her song, lyrics and symbol in a path that embraced her messy fearlessness and contradictions. Life the principle goal of this self-loathing empowerment anthem (if there’s this sort of factor) is P!nk herself, the {industry} catches a couple of strays, with L.A. Reid (nearest president/CEO at Arista) getting his personal questionable shoutout.
Maximum Telling Lyric: “L.A. told me, ‘You’ll be a pop star/ All you have to change is everything you are’.” — J.L.
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Drake, “No Friends in the Industry” (2021)
Kind: F**ok This Trade
What’s the Do business in? A Certified Lover Boy sleeper, Drake main points how the strains turned into blurred between his actual buddies and a few rap friends who he feels have crossed him — and the 6 God received’t permit that to occur once more, as Drizzy reassesses his relationships within the {industry}.
Maximum Telling Lyric: ”Disagree buddies within the {industry}/ I had to attract the wrinkle between my brothers and my enemies, a truth/ N—-s love to start out the meat, don’t wanna book it rap” — M.S.
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Dire Straits, “Money for Nothing” (1985)
Kind: Condition of the Biz
What’s The Do business in? This Hot 100-topping smash completely captured the order of the song act in 1985, when getting your video on MTV was once the be-all and end-all. The music is written within the resonance of a few operating stiffs having a look with envy on the pretty-boy rock stars on MTV (and who between the two of them was once prettier than the music’s co-writer and featured vocalist, Sting?).
Maximum Telling Lyric: “That ain’t workin’/That’s the way ya do it/Money for nothing/And your chicks for free.” – P.G.
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Kacey Musgraves, “Good Ol’ Boys Club” (2015)
Kind: F**ok This Trade / Condition of the Biz
What’s the Do business in? A feminine nation famous person who has completed superstardom in large part by way of skirting Nashville norms, Kacey Musgraves takes at the “boys’ club” mentality of the male-dominated nation song {industry} — the place it’s all “cigars and handshakes,” “favors for friends” and “who you know… not how good you are” — on this rueful Pageant Material highlight.
Maximum Telling Lyric: “Another gear in a big machine don’t sound like fun to me/ I don’t wanna be part of the good ol’ boys club.” — Ok.D.
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Pavement, “Cut Your Hair” (1994)
Kind: Condition of the Biz
What’s the Do business in? The post-grunge alt-rock gold accelerate of the mid ’90s undoubtedly was once a optic to peer — specifically for a number of enthusiastic slackers like Pavement, who deal ambivalent reportage concerning the contemporary weigh down of crossovers all through their vintage almost-hit “Cut Your Hair”: “Music scene is crazy/ Bands start up each and every day/ I saw another one just the other day/ A special new band.” They will were giggling on the unutilized insiders, however they have been additionally seeking to sneak a bottom within the door themselves.
Maximum Telling Lyric: “Songs mean a lot/ When songs are bought/ And so are you” — A.U.
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AC/DC, “It’s a Long Way to the Top (If You Want to Rock ‘N’ Roll)” (1975)
Kind: Condition of the Biz
What’s the Do business in? Prepared to one in every of Malcolm Younger’s maximum immortal steel-beam rhythm-guitar riffs, with a delightfully sudden bagpipes detour, “It’s a Long Way to the Top” vividly chronicles a violent, treacherous trail up the music-business ladder. Out of admire to singer and co-writer Bon Scott, the band hasn’t carried out the music since his loss of life in 1980.
Maximum Telling Lyric: “Gettin’ had/ Gettin’ took/ I tell you, folks, it’s harder than it looks” — S.Ok.
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Elvis Costello, “Radio Radio” (1978)
Symbol Credit score: Courtesy Picture Kind: Condition of the Biz
What’s the Do business in? Impressed by way of the BBC’s prohibit of the Intercourse Pistols’ “God Save the Queen,” a upset Elvis Costello penned this searing polemic in opposition to the fools answerable for radio, “tryin’ to anesthetize the way that you feel.” The music’s refrain, which paradoxically announces the layout the “sound salvation,” was once catchy plethora that it in fact were given excellent airplay within the U.Ok. to start with, despite the fact that “when they listened to the lyrics of the verse instead of just the chorus, radio play stopped overnight,” Costello recalled in 1982.
Maximum Telling Lyric: “So you’d better do as you were told/ You better listen to the radio” — A.U.
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Britney Spears, “Piece of Me” (2007)
Symbol Credit score: Courtesy Picture Kind: Meet the Press
What’s the Do business in? Life within the chaos of her stormy 2007, Britney Spears churned out probably the most defiant file of her profession, “Piece of Me,” the second one unmarried off her cult vintage Power outage. For the monitor, the pop titan reunited with “Toxic” manufacturers Bloodshy & Avant for a clapback geared toward paparazzo, tabloids and an {industry} that has discounted her contributions for years. The outcome? A biz-threatening manifesto with the Auto-Song amped up, smart backing vocals from Robyn and a story that also rings true nearly twenty years since its loose.
Maximum Telling Lyric: “I’m Miss Bad Media Karma/ Another day, another drama/ Guess I can’t see the harm in workin’ and bein’ a mama/ And with a kid on my arm, I’m still an exceptional earner/ You want a piece of me?” — JAMES DINH
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Jackson Browne, “The Load Out” (1977)
Symbol Credit score: Courtesy Picture Kind: In the back of the Scenes
What’s the Do business in? What occurs to the rock famous person when the display’s over? Extra regularly than now not, they only collect it up and book it transferring — as Jackson Browne outlines in unusually fatal feature on piano ballad “The Load-Out,” creating a once-full blank live performance corridor tone just like the loneliest park on earth, and the street that follows one of those existential purgatory. The alienation described turns out so profound that once, at the Working on Unoccupied novel (and regularly on vintage rock radio), the music makes a more-upbeat segue right into a secure of Maurice Williams & The Zodiacs’ “Stay” — with Browne necessarily begging his folk to “stay just a little bit longer,” and the enthusiasts audibly responding — the vacay is palpable.
Maximum Telling Lyric: “We got time to think of the ones we love/ While the miles roll away/ The only time that seems too short/ Is the time that we get to play” — A.U.
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The Chicks, “Not Ready to Make Nice” (2007)
Symbol Credit score: Courtesy Picture Kind: F**ok This Trade
What’s the Do business in? Next The Chicks (f.ok.a. Dixie Chicks) have been blackballed from the rustic song scene for criticizing then-president George W. Bush in 2003, alternative artists within the style have been warned to not discuss out for concern of having “Dixie Chicked.” So, it kind of feels honest that the Texas trio would go back to radio (however now not nation) with a scathing pop ballad about how they aren’t fairly eager to forgive the {industry} for the way they have been handled.
Maximum Telling Lyric: “I made my bed and I sleep like a baby” — T.M.
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GZA, “Labels”
Symbol Credit score: Courtesy Picture Kind: Signal Your Identify
What’s the Do business in? Next a adverse revel in at Chilly Chillin’ Information — prior to now alluded to at the Wu’s “Protect Ya Neck” — a now-solo-operating GZA issued a long lasting threat to all of the hip-hop public concerning the predatory inclinations of file labels, sending photographs at necessarily each and every main label and imprint within the procedure.
Maximum Telling Lyric: “Tommy ain’t my motherf–kin’ boy!/ When you fake moves on a n—a you employ/ We’ll all EMIRG off your set, now you know godd–n/ I show Livin’ Large n—as how to flip a Def Jam” — Ok.D.
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George Michael, “Freedom ’90” (1990)
Symbol Credit score: Courtesy Picture Kind: Foundation Tale
What’s the Do business in? George Michael navigated the song act brilliantly plethora to blast proper to the supremacy upon his mid-’80s emergence, however learned he’d carried out so at superb private value to his sense of self. He dramatically emancipated himself from his pop idol (and {industry} money cow) year with the all-timer “Freedom ’90” unmarried and video, retelling his tale from the Wham! days to provide sooner than mentioning “Today the way I play the game is not the same, no way/ Think I’m gonna get me some happy.”
Maximum Telling Lyric: “All we have to do now/ Is take these lies and make them true somehow/ All we have to see/ Is that I don’t belong to you and you don’t belong to me” — A.U.
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Red Floyd, “Have a Cigar” (1975)
Symbol Credit score: Courtesy Picture Kind: Signal Your Identify / F**ok This Trade
What’s the Do business in? Next liberating one of the crucial a success albums in song historical past with Dim Facet of the Moon, Red Floyd discovered that everybody sought after a work — and have been very happy to exit overboard at the flattery so long as they’d plethora moment to look at the cash collection up. It’s one of the crucial searing indictments of the greed that permeated the Seventies file act — and the cynicism and hero prayer that regularly got here together with it.
Maximum Telling Lyric: “And did we tell you the name of the game, boy? / We call it riding the gravy train” — D.R.
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Sara Bareilles, “Love Song” (2007)
Symbol Credit score: Courtesy Picture Kind: The place’s the Unmarried?
What’s the Do business in? Mockingly, the largest unmarried of Bareilles’ profession was once this Disagree. 4 Sizzling 100 wreck, a flippant pop-rock piano stomper from her Modest Tonality novel geared toward her file label, impressed by way of them continuously sending her again to the drafting board with the all set till she got here again with a crash. Her reaction, repeated unforgettably all through the chorus: “I’m not gonna write you a love song.”
Maximum Telling Lyric: “Convinced me to please you/ Made me think that I need this too/ I’m trying to let you hear me as I am.” — H.D.
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Bob Seger & The Silver Bullet Band, “Turn the Page” (1976)
Symbol Credit score: Courtesy Picture Kind: In the back of the Scenes
What’s the Do business in: From 16-hour bus rides to snide feedback from locals about lengthy hair, Seger unhidden the not-so-glamorous aspect of traveling on this grueling ode to generation at the highway — punctuated by way of a wailing guitar riff, and popularized by way of (as it should be plethora) a moody are living model, from the best-selling 1976 novel Are living Bullet.
Maximum Telling Lyric: “Most times you can’t hear ’em talk, other times you can/ All the same old clichés, ‘Is that a woman or a man?’/ And you always seem outnumbered, you don’t dare make a stand” — C.W.
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The Buggles, “Video Killed the Radio Star” (1979)
Symbol Credit score: Courtesy Picture Kind: Condition of the Biz
What’s the Do business in? Don’t let the catchy, unutilized stream hooks idiot you — The Buggles crafted a undying portrayal of a a success artist going through the upheaval created by way of a unutilized generation. The band’s lone crash was once extremely prescient: What was once going down in 1979 has happened time and again — file-sharing, streaming, TikTok and synthetic perception — and continues to each stymie used artists and visible doorways for younger ones. MTV cemented the music’s all-time situation when the fledgling cable song channel made “Video Killed the Radio Star” the primary video it performed upon launching in 1981.
Maximum Telling Lyric: “They took the credit for your second symphony/ Rewritten by machine on new technology.” — G.P.